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Hardy, Thomas, 1840-1928

"Far from the Madding Crowd"


This picture of to-day in its frame of four hundred
years ago did not produce that marked contrast between
ancient and modern which is implied by the contrast
of date. In comparison with cities, Weatherbury was
immutable. The citizen's Then is the rustic's Now.
In London, twenty or thirty-years ago are old times;
in Paris ten years, or five; in Weatherbury three or
four score years were included in the mere present,
and nothing less than a century set a mark on its
face or tone. Five decades hardly modified the cut of
a gaiter, the embroidery of a smock-frock, by the breadth
of a hair. Ten generations failed to alter the turn of
a single phrase. In these Wessex nooks the busy out-
sider's ancient times are only old; his old times are still
new; his present is futurity.
So the barn was natural to the shearers, and the
shearers were in harmony with the barn.
The spacious ends of the building, answering ecclesi-
astically to nave and chancel extremities, were fenced
off with hurdles, the sheep being all collected in a crowd
within these two enclosures; and in one angle a catching-
pen was formed, in which three or four sheep were
continuously kept ready for the shearers to seize without
loss of time.


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