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Hardy, Thomas, 1840-1928

"Far from the Madding Crowd"

For
once medievalism and modernism had a common stand-
point. The lanccolate windows, the time-eaten arch-
stones and chamfers, the orientation of the axis, the
misty chestnut work of the rafters, referred to no exploded
fortifying art or worn-out religious creed. The defence
and salvation of the body by daily bread is still a study,
a religion, and a desire.
To-day the large side doors were thrown open
towards the sun to admit a bountiful light to the
immediate spot of the shearers' operations, which was
the wood threshing-floor in the centre, formed of thick
oak, black with age and polished by the beating of flails
for many generations, till it had grown as slippery and
as rich in hue as the state-room floors of an Elizabethan
mansion. Here the shearers knelt, the sun slanting in
upon their bleached shirts, tanned arms, and the polished
shears they flourished, causing these to bristle with a
thousand rays strong enough to blind a weak-eyed man.
Beneath them a captive sheep lay panting, quickening
its pants as misgiving merged in terror, till it quivered
like the hot landscape outside.


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