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Hardy, Thomas, 1840-1928

"Far from the Madding Crowd"




CHAPTER IX

THE HOMESTEAD -- A VISITOR -- HALF-CONFIDENCES

By daylight, the Bower of Oak's new-found mistress,
Bathsheba Everdene, presented itself as a hoary build-
ing, of the early stage of Classic Renaissance as regards
its architecture, and of 'a proportion which told at a
glance that, as is so frequently the case, it had once
been the memorial hall upon a small estate around it,
now altogether effaced as a distinct property, and merged
in the vast tract of a non-resident landlord, which com-
prised several such modest demesnes.
Fluted pilasters, worked from the solid stone,
decorated its front, and above the roof the chimneys
were panelled or columnar, some coped gables with
finials and like features still retaining traces of their
Gothic extraction. Soft Brown mosses, like faded
velveteen, formed cushions upon the stone tiling, and
tufts of the houseleek or sengreen sprouted from the
eaves of the low surrounding buildings. A gravel walk
leading from the door to the road in front was encrusted
at the sides with more moss -- here it was a silver-green
variety, the nut-brown of the gravel being visible to the
width of only a foot or two in the centre.


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